Saree & Bridal
Collections.
Banarasi, Kanjivaram, Patola, Paithani, Chanderi and bridal couture sarees, blouses and unstitched dress material from Trisha Silks, Hyderabad.
Every state of India, drawn under one roof. From the pit looms of Varanasi to the kala cotton huts of Kutch, the Kashmiri needle to the Konkan knot, the Naga loin loom to the Tripura risa. Paired with hand embroidered blouses, heavy hand worked unstitched sets, and a private couture atelier for the pieces that must be measured, remembered, and made only once.
“We do not sell sarees. We hand over the conversation between
a grandmother's trunk and a granddaughter's mirror.”
Sarees
Every state of India and almost every weaving cluster within it. From the pit looms of Varanasi to the kala cotton huts of Kutch, the Kashmiri sozni needle to the Konkan Kunbi knot, the Bihari Sujani quilt to the Tamil Negamam korvai, the Naga loin loom to the Tripura risa. Each weave below is photographed in one colourway from our trunk; every piece is woven, dyed and embroidered in many more shades than we can show. Ask, and the archive opens.
From the river in Varanasi to the loin loom in Nagaland. From a Kashmiri winter to a Konkan summer. India, woven and folded into one trunk.
Pure katan silk with intricate gold zari brocade, woven on pit looms in Varanasi by families that have known the loom for generations.
Mulberry silk and metallic zari joined at the temple border korvai, the unmistakable cathedral of South Indian weaving.
The royal weave of Maharashtra. Peacock motifs and a luminous gold pallu that takes months on the loom.
Resist dyed warp and weft to the very same pattern, then aligned by eye on the loom. Once worn by the women of Patan royalty.
Sheer, feather light silk and cotton with delicate gold buti, woven so fine an entire saree passes through a ring.
Hand painted and block printed with natural dyes of pomegranate, indigo and madder, narrating scenes from the Mahabharata.
Wild creepers in fine gold zari, one of the densest Banarasi brocades, a true heirloom commission.
Hunting forest scenes of tigers, deer, vines and hunters woven in gold zari across deep wine katan silk. The narrative Banarasi.
Ivory katan silk with floral jaal cutwork and gold zari outlines. The lightest Banarasi for a summer reception.
Discontinuous weft gold zari buti floating on pista silk. The Dhaka jamdani tradition perfected in Varanasi.
The heaviest Banarasi brocade, deep wine silk so densely woven with gold zari you could mistake the cloth for metal.
Emerald pure silk with intricate gold zari kalka motifs, woven by the master Mubarakpur ansaris of Azamgarh.
Translucent silk with hand chikankari and tone on tone embroidery. The dawn of every wardrobe.
Thousands of fingertip tied resist dots forming peacocks, paisleys and lotuses, the spirited heritage of Kutch.
Soft, breathable wild silks in earthy palettes. Quiet luxury for an ordinary Tuesday.
Satin faced self tone brocade, descended from the tan weave masters who taught the Parsi merchants of Surat.
Heritage weaves lifted with hand embroidered zardozi borders and bridal palettes for the saat phere moment.
Mythological figures from the Ramayana and Mahabharata woven into the pallu. Bengal's storytelling silk.
Baluchari's golden cousin, the epics inlaid entirely in gold zari.
Discontinuous weft butis floating in muslin so fine the weaver is said to paint with the loom.
Pure ivory silk with a vermilion border, the saree of Durga Puja mornings.
The Phulia weavers' lighter, contemporary take on Dhakai. Soft pastels with gossamer floral motifs.
Sky blue muslin with discontinuous weft white floral buti and a contrast border. The everyday jamdani of East Bengal.
Crisp peach handloom cotton with a fine self stripe and a deep maroon Bengali border. GI tagged tant from Hooghly.
Ivory silk hand painted by artists in the same tradition that once illuminated nawabi miniatures.
Featherweight cotton with a broad pomegranate border, the everyday saree of the begums of yore.
Crisp white Bengali cotton with a Bengali border, the morning saree of Tagore's Calcutta.
Soft cream cotton with a fine red striped body and a contrast deep maroon pallu of woven temple motifs. The quiet Hooghly weave.
Running stitch motifs of birds, fish and lotuses, stitched by village women across generations of mothers and daughters.
Deep tussar silk hand painted with Madhubani scenes by Mithila artists on the pallu.
Natural straw gold raw silk with a slubby, nubby texture. An honest weave for a quiet evening.
Ivory cotton with running stitch folk embroidery in red and indigo depicting village life. Bihar's storytelling stitch.
Fine cream cotton with fifty two woven buti motifs scattered across the body and a contrast border, the count itself the name.
Chhattisgarh's tribal wild silk in burnished gold, woven with tussar warps and tribal motifs.
Commissioned by Queen Ahilyabai Holkar of Indore in the eighteenth century. Airy silk and cotton with reversible borders.
Wood block resist printing in deep madder and indigo. A sixteen step journey from the Bagh river to your shoulder.
Geometric chowka diamonds in resist dyed silk. A UNESCO heritage weave of Telangana.
Oil treated double ikat once carried by Arab traders. Now a vanishing virtuoso weave.
Cotton body, silk pallu, gold zari Kanchipuram border. Three weaves married into one saree.
Bright magenta silk with mustard temple borders and the unmistakable Telangana small check body.
Cream handloom cotton with extra weft milkmaid (gollabhama) figure motifs in red and black. The storytelling weave of Siddipet.
Peacock green silk with broad gold zari brocade pallu and contrast korvai border. The heritage weave of the Wanaparthy samasthanam.
Deep maroon cotton with dense mirror work, coin embellishments and multicolour cross stitch by the Banjara women of the Deccan.
Featherlight silk with woven gold buti after the Dhaka tradition, perfected on the Bay of Bengal.
Pristine white cotton with delicate gold zari peacocks. The trousseau cotton of Andhra royalty.
Turmeric and indigo cottons with a nizam border in zari. GI tagged since 2009.
Mulberry silk with broad contrast korvai borders. The temple saree of Andhra.
Magenta and gold silk with contrast korvai temple border and dense zari pallu. The rare Andhra wedding weave of Kuppadam.
Peacock green mulberry silk with a wide gold zari brocade pallu and contrast korvai border, the courtly silk of coastal Andhra.
Originally woven for temple deities. The gopuram itself sculpted into the border.
Parrot green silk with brocaded temple borders. The colour of a Tamil morning.
Royal blue silk with korvai contrast borders. The everyday silk of Tamil weddings.
Mustard and brick in broad temple checks. The household weave of the Nattukottai.
Tie resist dotted cotton from Madurai. A GI tagged tiny universe of geometric dyed stars.
Peacock blue mulberry silk with a broad gold zari temple tower border. The GI protected silk of Kumbakonam's twin city.
Crisp pista handloom cotton with mustard checks and a contrast burgundy border. The office saree of Kongu Nadu.
Turmeric handloom cotton with a maroon zari korvai border and rudraksha motifs. A small cluster Tamil treasure.
Ivory base with maroon and indigo hand painted temple motifs and a wide brocade border. The Kalamkari of the Thanjavur court.
Ivory cotton with the characteristic Toda red and black geometric pugur embroidery in straight lines along the border, from the Nilgiris.
Pure gold zari on temple white cotton. The saree of Onam and Vishu, of Malayali mothers and daughters.
Hand woven on the looms of Balaramapuram weavers. The original GI protected Kasavu.
Temple white cotton with broad pure gold peacock and elephant borders, woven by the Devanga community.
The tope teni pallu joined to the body by hand knotting. A vanishing technique of north Karnataka.
Mustard and maroon silk with Kasuti embroidery. A small town secret of the Chitradurga district.
Lustrous shot effect silk traditionally cut for cholis, now revived as a saree in its own right.
Featherlight pure silk crepe with a slim zari border. The office saree of Bangalore's old guard.
Deep red and mustard cotton with a broad solid pallu and contrast border. A vanishing temple offering weave revived in Gajendragad.
Deep maroon cotton with a serrated saw tooth temple border. The Vidarbha weave revived.
The Maharashtrian nine yard kashta drape in peacock blue silk with a gold zari border, the saree of warrior queens and Pune homes.
Tribal motifs woven extra weft, fish, lotus, conch and charkha, on Sonepur silk.
Bandha tie and dye ikat, once gifted by Indira Gandhi on state visits.
Saffron silk with hand resist conch and lotus motifs. The saree once offered to Lord Jagannath.
Black and white chessboard ikat named after the game of pasha played in Odia palaces.
Cotton with tribal kumbha temple motifs. The lost weave of the Kondh tribe, revived from one weaver in the late nineties.
Deep maroon silk with broad gold zari kumbha temple borders. The saree of Odia brides.
Madder root maroon and natural cream cotton with extra weft tribal motifs of fish, tortoise and axe, woven by the Mirgan community in vegetable dyes.
Deep maroon silk cotton with fine geometric ikat checks across the body and a contrast cream zari pallu, the courtly Odia weave.
Ivory cotton with bright applique floral and bird motifs in red, yellow and green along the border, from the chariot makers of Puri.
Off white silk with the iconic black temple step motif border. The heritage saree of Manipur.
Deep black cotton with bold red, white and yellow horizontal stripe motifs from the Ao tribe, woven on the back strap loin loom.
Ivory cotton with intricate red, black and yellow geometric tribal stripe motifs along the body and pallu, the festive weave of Mizoram.
Ivory cotton with deep red and green geometric tribal striped border, inspired by the Garo daughter's first weave.
Cream cotton with bold black and red Apatani geometric border motifs, woven by the women of Ziro valley.
Deep magenta silk with intricate woven white and gold tribal motifs along the body and broad pallu, the Risa worn across generations of Tripuri women.
Soft ivory cotton with bright woven geometric stripes in green, red and yellow along the pallu and border, from the Lepcha back strap loom.
One of the only silks in the world whose natural sheen is gold. Protected by GI tag, woven in Assam.
Non violent silk where the moth flies free, woven in matte ecru by Assamese tribal women.
Pure white pat silk with red and black kinkhwab pallu. The bridal silk of Assam.
Cream silk with fine double sided silk floss embroidery of Krishna lila scenes along the pallu, in the Pahari miniature tradition.
Undyed wool body with geometric multicolour border in red, green, yellow and black. The warm everyday saree of the Himalayan foothills.
Hand spun indigenous black cotton with extra weft tribal motifs, woven by the Vankar community of Kutch.
Silk warp on cotton weft. Luxurious to the eye, modest to the skin. The merchant's saree of Patan.
Sixteen step resist block print in indigo and madder. A craft older than the city of Mohenjo Daro.
Vermilion bandhani in twelve gold zari squares with peacock and elephant motifs. The Gujarati bridal saree.
Earthy wool with raised white daana bead like dots along borders, the centuries old craft of the Dangasia community.
Diagonal wave stripe tie dye in monsoon colours. The festive saree of Rajasthani teej.
Sheer feather light cotton silk in khat squares with gold zari, woven by Muslim weavers of Kota since the seventeenth century.
Natural beige cotton printed with indigo and madder dabu paisley and floral motifs, the centuries old hand block legacy of Bagru.
Deep indigo with white resist floral jaal. Mud is hand pressed onto cotton before each dye dip, a craft of the Akola weavers.
Pristine white cotton with delicate red and indigo floral booti and a contrast border, the courtly print of Amber kings.
Saffron silk hand painted with miniature Krishna, lotus and cow motifs by the painters of Nathdwara. A temple art saree.
Maroon khadi cotton with dense floss silk phulkari embroidery in mustard, magenta and emerald geometric flowers. Punjab's bridal heirloom on a six yard canvas.
Chequered red and black cotton knotted at the shoulder. The tribal Konkan saree once worn by the daughters of Goa's first weavers.
Ivory silk with all over woven paisley and floral kani motifs in jewel tones, the saree form of Kashmir's most coveted shawl weave.
Soft heather grey featherlight pashmina with fine sozni floral border embroidery. One of the warmest sarees in the trunk.
Cream silk with extraordinarily fine needle sozni embroidery of chinar leaves and almond motifs across the body.
Saffron silk wool with intricate woven kani twill paisley motifs in rust and indigo, woven on the original handheld kanis of Kanihama.
Royal blue silk with bright gold tilla metallic thread paisley embroidery along the border and pallu, the courtly silk of Srinagar.
Organza, tissue and silk grounds scattered with hand-set kundan, crystal, cutdana and pearl. The atelier embellishes any heritage weave to bridal density on request. Photographed in one shade, made in many.
Sequin organza, shimmer tissue and georgette with hand zardozi borders, cut for the cocktail and sangeet floor. The evening palette, champagne, midnight, oxblood, ink, in many ground silks.
Bridal-weight Kimkhwab and Banarasi-Kanjivaram couture with all-over zardozi borders, kundan-polki clusters and dense gold zari pallus. The saat-phere weight class, woven and embroidered to commission.
Blouses
A blouse can change a saree's mood entirely. Our atelier offers heritage embroideries, contemporary cuts and a back design library years in the making. Each piece is shown in one shade; every silhouette is cut in the full palette, every embroidery is laid on the ground silk you choose.
The saree drapes. The blouse decides.
Metallic gold and silver threadwork with pearls and stones, couture grade embellishment fitted to the millimetre. Photographed in one shade, made to order in many.
Fine chain stitch hand embroidery from Kashmir, drawn with a hook so delicate it whistles through the silk. Available across our full library of base silks and threadwork palettes.
Mukaish, chikankari, kashida. Heirloom techniques on raw silks and tissues. Many such pieces in the atelier, in every shade you can dream up.
Sculpted backs, tassels, latkans, sheer panels. A quiet drama at the shoulder blades, drawn fresh for every bride.
Structured boned silhouettes for contemporary brides. Cut in ivories, pastels, jewel tones and deep festive shades on request.
Clean, well cut, perfectly lined. The everyday companion to every saree in your trunk, dyed to your palette.
Dense cutdana beadwork and sequin spray, hand stitched bead by bead. Many such pieces in champagne, midnight, oxblood and beyond.
Tiny round Kutchi mirrors caged in coloured silk thread. The festive Gujarati blouse, made in the full Kutchi palette.
Dense floral resham silk thread embroidery in tone on tone or contrast. The everyday wedding guest blouse, available across every base shade.
Fresh water pearls and crystal latkans drop in tiers across the bodice. One photographed shade, an archive of others on request.
Silk velvet hand embroidered with vine zardozi. The bridal blouse for the saat phere moment, woven in oxblood, wine, forest, ink and beyond.
Tissue silk shot with gold zari. The quiet luxury blouse for a Banarasi or a Kasavu, cut in many tissue weights and shades.
Tone on tone Lucknowi chikankari on fine organza with inner lining. The morning puja blouse of the begums, in the full pastel and ivory range.
Cut from Banarasi pallu, woven kalka motifs in gold zari. The heirloom blouse for an heirloom saree, cut in many archive brocades.
Cut from Kanchipuram silk with the temple korvai border running across neck and sleeves. Many korvai borders held in the archive.
Sheer organza balloon sleeves with delicate sequin spray over an opaque bodice. The contemporary saree blouse, in pastels and jewel tones.
An organza cape flowing from the shoulders of a structured bodice. Theatre for a reception saree, cut in the full evening palette.
A clean matte mock turtle bodice for the minimalist who wants the saree to do all the talking. Made in every quiet shade from ink to ivory.
Silk blouse with leg of mutton sleeves and a high neckline. The trousseau blouse for the softer silhouette, cut in dusty rose, ivory, sage and many more.
Fine Kashmiri chain stitch florals in pastel resham on silk. The Sunday brunch blouse with poetry on the shoulder, in many ground colours.
Dense Rajasthani gota appliqué leaves and marori metal coil patti across yoke and sleeves. The festive Marwari blouse, cut in the full Jaipur palette.
Silk densely embroidered with Kundan Polki uncut stones and pearls in floral cluster motifs. The bridal blouse for jewellery brides, in many ground shades.
Dense Naqshi gold thread paisley jaal across bodice and sleeves, an heirloom from the Awadhi karkhana tradition. Available across the full silk range.
A pleated open back panel laced with tassel ties. Demure front, drama at the shoulder blades. Made in many silk grounds.
Clean full length long sleeve high neck silk blouse for the woman who wears the saree to work, to court, to the boardroom. Cut in every quiet shade.
Tailored boat neck three quarter sleeve in raw silk with a single fine piping. The grandmother's silhouette, perfected, in every shade you choose.
Silk densely embroidered with large lotus padma motifs in pearl and gold zardozi across bodice and sleeves. Cut in many ground silks.
Khadi cotton covered in dense Phulkari floss silk floral embroidery. The Punjabi festive blouse, made in the full Phulkari palette.
Cotton with characteristic Toda red and black straight line pugur embroidery along the yoke and sleeves. A Nilgiris quiet luxury, in several ground tones.
Silk hand painted with miniature Pichwai Krishna and lotus motifs in the Nathdwara temple tradition. Many ground shades, many narratives, all art objects.
Silk densely embroidered with fine silver mukaish metallic dot work across bodice and sleeves. Candlelit luxury, cut in pistas, ivories and beyond.
Cut from rich Kimkhwab Banarasi brocade with all over gold zari floral weave. One of the heaviest blouses in the archive, in many brocade colourways.
Plush silk velvet with raised Naqshi gold thread paisley embroidery. The winter wedding blouse for matriarchs, cut in the full velvet palette.
Silk densely embroidered with gold Tilla Kashmiri metallic thread paisleys across yoke and sleeves. Many ground colours available on request.
Sequin spray over chiffon overlay with pearl scatter. The bridesmaid blouse for a daytime sangeet, made in the full pastel range.
Silk hand embroidered with traditional South Indian Maggam work mango and peacock motifs in gold and antique copper. Many ground shades held in the archive.
Unstitched Suits
Three piece sets in heavy hand embroideries and niche heritage prints, couriered ready for your own tailor. The cut stays yours, the craft is ours. Each set is photographed in one colourway and made in many more, on request.
Some women like to be measured. Some women like to do the measuring.
Luxurious mulberry and raw silks with matching dupattas. Three pieces, infinite cuts, the full silk palette available on request.
Lightweight, breathable silk and cotton for everyday elegance. Cut in pastels, ivories, jewel tones and the full Chanderi range.
Heirloom brocades with coordinated dupattas, for the festive evening that begins at six. Many brocade colourways held in the archive.
Pre coordinated three piece sets in seasonal palettes. Coral, marigold, peacock, plum and many such pieces beyond.
Hand painted Kalamkari cotton from Sri Kalahasti with matching cotton dupatta. The everyday three piece, in the full Kalamkari narrative palette.
Tie resist bandhani georgette with chiffon dupatta. The festive three piece for Navratri, cut in the full Kutchi colour wheel.
Cotton hand block printed with Sanganer paisley booti. A three piece for the long Indian summer, made in many block colourways.
Silk velvet with hand zardozi on the yoke, paired with a chiffon dupatta. The wedding guest three piece, available across the full velvet palette.
Natural tussar silk hand painted with Madhubani motifs by Mithila artists. A three piece set with many Mithila narratives held in the archive.
Silk top with vine and floral metallic gold zardozi, matching churidar, sheer chiffon dupatta with zardozi border. One of the heaviest wedding guest sets, in many ground shades.
Georgette covered in dense cutdana beadwork and sequin spray, with a sequin bordered chiffon dupatta. For a sangeet after sundown, in the full evening palette.
Silk with dense gold gota appliqué leaves and floral patti. The Marwari festive three piece for Teej and Karva Chauth, cut in the full Jaipur palette.
Silk with fine silver mukaish badla metallic dot embroidery. The dusk light Lucknowi three piece that catches every candle, in many silk grounds.
Raw silk with dense French knot resham silk thread floral embroidery. The wedding guest three piece for soft afternoons, in the full pastel and jewel range.
Silk with dense marori metal coil and crystal aari hookwork. One of the heaviest non bridal three pieces in the archive, cut in many ground shades.
Modal silk hand block printed in the sixteen step Ajrakh tradition. A luxurious three piece for the woman who wears craft daily, available in many Ajrakh colourways.
Khadi cotton with vivid Phulkari floss silk floral embroidery. The Punjabi wedding guest three piece, made in the full Phulkari palette.
Crinkle tissue silk with subtle gold sheen and fine sequin spray. The quiet luxury three piece for Diwali brunches, in the full tissue range.
Silk with dense fresh water pearl and gold dabka embroidery in floral cluster motifs. The candlelit sangeet three piece, available in many silk grounds.
Pashmina wool with Kashmiri sozni floral border embroidery. One of the warmest and rarest winter three pieces in the trunk, cut in the full pashmina palette.
Modal silk top with a wide Kanjivaram gold zari korvai border at the hem, matching bottom and a contrast dupatta. Many korvai colour pairings on request.
Raw silk densely embroidered with Naqshi gold thread paisley jaal, matching bottom and a sheer gold bordered chiffon dupatta. Cut in many ground silks.
Georgette covered in heavy crystal Aari hookwork floral clusters, with a sheer dupatta of crystal scatter. The cocktail three piece, in the full evening palette.
Silk embroidered with Kashmiri Tilla gold metallic thread paisleys, matching bottom and a fine wool shawl style dupatta with sozni border. Many silk grounds available.
Cotton with bold straight line geometric tribal embroidery in the Toda tradition, with a contrast cotton dupatta. Cut in many ground and thread pairings.
Leheriya tie dye georgette in diagonal wave stripes, matching georgette bottom and a contrast chiffon dupatta with bandhani dots. Available in the full Leheriya palette.
Silk crepe covered in fine silver mukaish dot embroidery, matching crepe bottom and a sheer silver bordered organza dupatta. Cut in many crepe shades.
Custom Atelier
For brides, mothers of brides, trousseau curation, destination weddings, heirloom restorations and press styling. A personal consultation with our design team. Three appointments. Six fittings. A piece made only for you.
Couture is the long answer to a short question: what would I like to remember on this day?
From mood board to final fitting, your bridal saree, designed only for you, sketched in the studio of our head designer.
A complete wardrobe edit for the bride and her family. Sarees, blouses, dupattas and accessories.
Tender restoration of beloved sarees from your grandmother's trunk. Re zardozi, re line, re bless.
One to one styling at the flagship, or over video call, with swatches couriered overnight.
Hand sketched mood board and a fabric sample box couriered to your home before a single thread is woven.
A regal saree edit for the matriarch of the wedding, in deep jewel tones and broad zari borders.
A softer pastel sequin saree for the ring ceremony, designed to photograph in champagne light.
A midnight navy crystal embroidered saree for the reception entry, made to catch the spotlight.
An audience with the house archive. Vintage Patola, Paithani and Banarasi pieces rarely shown on the floor.
A pearl and crystal sunburst saree designed for beach, vineyard or palace weddings. Palettes tuned for golden hour film and the climate of your venue.
The atelier travels to your drawing room. A heritage trunk, brass diyas, swatches and a leather sketchbook. An hour of private styling without leaving home.
Your mother's Banarasi reborn as a bridal style saree or contemporary drape, with the original zari preserved and new zardozi added where time has worn the cloth.
Drape direction for magazine covers, brand campaigns and bridal press shoots. Three mannequins, candlelight, our karigars on call.
Every weave you see here was touched by a person.
Most of our weaves are handloom. Some travel through a block printer's table. A few pass under a small powerloom where the cluster has chosen to keep its livelihood alive that way. What does not change is the hand at the start, and the hand at the end. A Banarasi pit loom is two weavers and a year of patience. A double ikat Patola can take a family six months. A Kalamkari pen is held only by a human wrist. We pay the loom, the dyer, and the dyer's afternoon tea, because that is what the price of beauty actually is.
Four steps, one heirloom.
Tell us the occasion, the mood, the budget. Sometimes it begins on WhatsApp. Sometimes over chai at the flagship.
Our atelier hand selects twelve to twenty pieces, pulled from the studio, the archive, the looms in transit.
Private mirror room. A glass of cardamom tea. As many drapes as it takes for the moment to feel like yours.
Blouse fitted to the millimetre. Falls hemmed. Petticoat stitched. Edges pico rolled. Couriered, gift wrapped, ready.
From the ordinary Tuesday
to the once in a lifetime.
Trisha was built on a belief: the woman buying her first office saree and the woman commissioning her daughter's bridal trousseau deserve the same room, the same chai, the same care.
Tussar, Chanderi, Mysore silks. Festive blouses. Pret kurtas.
Banarasi, Kanjivaram, Pochampally. Hand embroidered blouses.
Heritage Patola, Paithani, bridal sarees, full atelier couture.
An hour inside
the atelier.
A small number of audiences are granted each month. A private consultation with the visionary Amrita Mishra herself, in the candlelit suite of the Jubilee Hills flagship. Heritage trunks unrolled by her own hand. Cardamom chai in silver. The archive opened only for you.
This is not a shopping appointment. It is an audience, reserved for the woman who arrives with a specific vision in mind. A saree she has carried in her imagination for years. A bridal silhouette she has not yet been able to find. A family heirloom that asks to be reimagined. Or a wardrobe that needs to be quietly composed from scratch. Amrita personally listens, sketches, and pulls from the house's most private trunks. Pieces that rarely reach the floor. Weaves held back for the few who truly know what they are looking for.
A privilege, not a service. Kindly request only when your vision is clear, and your occasion, considered.
- I.A bespoke mood board, hand sketched in the studio before your visit.
- II.Access to the private archive. Patola, Paithani and Banarasi pieces rarely shown on the floor.
- III.Personal courier of three to five hand chosen drapes to your home for a second viewing.
- IV.A monogrammed garment bag, signed by the atelier, sealed in wax.
Some pieces are best felt in person.
Photographs only capture a fraction. Visit our flagship for a private consultation with our atelier, or reach us on WhatsApp to begin a piece designed only for you.